My larger vision towards art is to make “political art popular”. 
 
For me,  Art is the farming land, where we are seeding a new future.

The first thing is, to prepare the land for farming.
First, you plow the land. Then you leave it, then you seed it, and then slowly the small plants will be seen. After that, the work is to keep watering it. In the context of Art, Audience, and Politics, it is to build trust with the people/audience/ spectators.
Building new communities/audiences is my primary practice. While valuing the current art appreciators, I always work on developing new spectators/audience.  I do this with sensitivity while giving some flavors of newness in terms of content, form, and politics. 
 
Often, the stories of the people struggling on the ground are told by some third party, and that third party profits from the story in some way while the person whose experience it is, is exploited. I want to provide an opportunity, a platform for these less visible artists to express their stories for themselves, without a mediator interpreting the experience through the lens of someone with certain class privileges. I wish to develop a program where we can invite and work with people who, although might not have a certain language,  will have a large body of work, which can be seen and can be heard from them directly.
 
Although it is necessary to be able to approach the work with a critical mind, I also feel that the expression of emotions is important. Too often, the people who benefit from attention and resources are those who are able to use a particular kind of language to promote their work. We need to support those artists who may not be able to articulate their practice in writing or speech, but who are able to express their practice through the art itself. These are the people who need to be nurtured and need exposure.